An artist with an intact sincerity, a deepth sensibility and an inner power.
Plamena Mangova won the second prize in the Queen Elisabeth Competition in 2007 and embarked on an international career. She made her studies with Marina Kapatsinskaya at the Pancho Vladigerov Sofia State Music Academy in Bulgaria, and then at the Queen Sofia Higher Music School, Madrid with the eminent teacher Dmitri Bashkirov and Claudio Martinez Mehner. She also worked with Abdel-Rahman El Bacha at the Queen Elisabeth Music Chapel in Belgium and received the advice of renowned musicians such as Leon Fleisher, Rosalyn Tureck, Krystian Zimerman and Andras Schiff. She is a Laureate of various prestigious international piano and chamber music competitions, including “Paloma O’Shea” in Santander and “Vittorio Gui” in Florence, as well as the Juventus Festival in France.
Plamena performs with leading orchestras, such as the philharmonic orchestras of Rotterdam, Radio France, Luxembourg, Marseille, Tokyo, Sofia and George Enescu, National Orchestra of Belgium, European Union Chamber Orchestra, BBC Philharmonic, RAI Torino Orchestra, Frankfurt’s Brandenburgisches Staatsorchester, Tchaikovsky Symphony Orchestra, the Latvian National Symphony Orchestra, English Chamber Orchestra, Sinfonia Varsovia, Staatskapelle Berlin Orchestra, Romanian National Symphony, Hong Kong Sinfonietta, MDR Orchester Leipzig, RTVE Symphony Orchestra, Netherlands Radio Chamber Philharmonic, Verbier Festival Orchestra and the symphony orchestras of Tatarstan, St. Petersburg, Trondheim, Taipei, New Zealand, Bulgarian Radio Orchestra… Conductor collaborations include Sir Colin Davis, Myung-Whun Chung, Sir Andrew Davis, Emmanuel Krivine, Walter Weller, Maxim Vengerov, Emil Tabakov, Tadaaki Otaka, Jaap van Zweden, Dmitri Jurowski, Lawrence Foster, Jean-Jacques Kantorow, Karl Heinz Steffens, Gilbert Varga, Jean-Claude Casadesus, Alexander Sladkovsky, Cristian Mandeal, Andris Poga, Jean-Bernard Pommier, Howard Griffiths, Pinchas Steinberg, François-Xavier Roth and Pablo Heras-Casado.
A keen chamber music player, she has performed with Maria Joao Pires, Boris Berezovsky, Augustin Dumay, Kolja Blacher, Sergej Krylov, Mihaela Martin, Jian Wang, Pascal Moragues, Alexei Ogrintchouk, Alexander Kniazev, Dmitri Makhtin, Frans Helmerson and the Ysaye String Quartet among others.
Plamena performed at the Berlin Philharmonie, BOZAR Brussels, Suntory Hall Tokyo, Kennedy Center Washington, Concertgebouw Amsterdam, Munich Herkulesaal, Bonn Beethovenhaus, Philharmonic Halls of Vilnius and Riga, Pierre Boulez Saal in Berlin, Brussels Royal Conservatory, South Bank Center London, Gewandhaus Leipzig, Moscow Conservatory concert hall, St Petersburg Philharmonic, Luxembourg Philharmonie, Kronberg Academy, Arsenal de Metz, Théâtre du Châtelet, Théâtre des Champs Elysées and Auditorium du Louvre in Paris, and at major festivals such as Progetto Martha Argerich Lugano, Verbier Academy, La Folle Journée Nantes and Tokyo, La Roque d’Anthéron, Rostropovich Festival in Moscow and Baku, Jerusalem Chamber Music Festival, “Chopin and his Europe” Festival in Warsaw, Santander, Sommets Musicaux de Gstaad, Montpellier Radio France Festival, Ruhr Klavier Festival, Festival de Menton, “Intonations” Festival in Berlin, Mecklenburg-Vorpommern and Bach Akademie Stuttgart.
Her first solo CD recording (Shostakovich) was awarded a “Diapason d’Or of the year 2007”. A chamber music disc by the same composer followed with soprano Tatiana Melnychenko, violinist Natalia Prischepenko and cellist Sebastian Klinger which was awarded the Superfonic Prize in Pizzicato magazine. Her Beethoven disc (sponsored by the Belgian Bank Fortis), was highly praised by France Musique and Diapason, as were her exceptional recordings of Strauss’ Burleske (2008) and Brahms Piano Concerto No.1 (2010) with the Belgium National Orchestra and Walter Weller (Fuga Libera label). The latter was highly praised by Bryce Morrison in Gramophone magazine. The last CD, highly praised too, was recorded with the cellist Alexander Kniazev and dedicated to Franck and Ysaÿ.
It is rare to feel a true emotional shock when listening to an artist… There was no drop in tension in this extensive program. Beethoven’s 10 Variations on a theme of Salieri, played to perfection, were a great introduction to the monumental Brahms 3rd sonata, so masterfully played. Admirable technique, marvelous balance and perfect reading of the polyphony even in the deepest passages…
Concertclassic.com (about her recital at the Théâtre des Champs Elysées in Paris)/span>