BALLET BC
Ballet British Columbia
Crystal Pite, Medhi Walerski, Johan Inger
FRONTIER – French Premiere
Created by Ballet BC – November 2024
Choreography: Crystal Pite
Original Music: Owen Belton, Jay Gower Tay
Set Design: Jay Gower Taylor
Lighting: Tom Visser
Costumes: Nancy Bryant
Costume Design Associate: Kate Burrows
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SILENT TIDES – French Premiere
Created by Ballet BC – may 2023
Choreography, Set and Costumes: Medhi Walerski
Music: Adrien Cronet
Lighting: Pierre Pontvianne and Lisette van der Linden
Lighting Consultant: Tom Visser
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PASSING – French Premiere
Premiered in September 2020, Nederlands Dans Theater
Choreography: Johan Inger
Set Design: Erik Enocksson, Louis T. Hardin
Music: Amos Ben-Tal
Lighting: Alan Brodie
Costumes: Linda Chow
Co-production : Productions Internationales Albert Sarfati / Théâtre des Champs-Élysées

ABOUT THE SHOW
Ballet BC brings an exceptional evening to the Théâtre des Champs-Élysées, featuring three powerful creations by Crystal Pite, Medhi Walerski, and Johan Inger.
Based in Vancouver, Ballet BC has spent the past three decades establishing itself as a driving force in Canadian contemporary dance. At the intersection of multiple aesthetics, the company has built a rich repertoire that blends the precision and refinement of classical technique with the bold spirit of contemporary creation. Rarely seen on Parisian stages, Ballet BC’s appearance at the Théâtre des Champs-Élysées is a rare and eagerly awaited occasion. The company presents a triptych that reflects its identity: daring, free-spirited, and marked by high artistic and technical standards.
The evening opens with Frontier, a new work by Crystal Pite, known for her visceral choreographic language. Her movement rises from deep within the body like a seismic force, rippling across the stage, striking like a wave. With Frontier, she gives form to the invisible, probing the mysteries of the unknown. Next comes Silent Tides, a contemplative duet by Medhi Walerski, the company’s current artistic director. In this mesmerizing dialogue, the ebb and flow of movement evoke the tides—sometimes calm, and sometimes stormy—mirroring the full spectrum of human connection: closeness and distance, tension and release. A more classical variation then unfolds, with weightless lifts, spiraling pirouettes, and suspended arabesques revealing a sensual virtuosity where intimacy where intimacy takes shape through the body. The program concludes with Passing, by Swedish choreographer Johan Inger. A collective journey through the intimate, the piece weaves together anonymity and personal experience. The group forms, dissolves, then reforms under the sway of an unseen force. Each gesture, each flicker of life on stage becomes a lucid reflection of our shared human condition, conveyed through a dance that is both raw and profoundly alive.
Three compelling voices. Three distinct visions of the world. One bold and magnetic company. A program that resonates—refined, vibrant, and deeply human.
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